Role-Playing Game Design and Publishing
It’s been quiet here—no surprise there—but I have been steadily moving forward on a collection of projects.
If you haven’t been tracking it, the Kickstarter for Nefertiti Overdrive 2.0 was successful. The text is written, but it’s now going through a cultural consultant, it then needs to go through an editor, get set for layout, and then have an index completed for it before it’s released. That’ll probably be the end of the summer or early fall 2024.
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Back in 2015, Sword’s Edge Publishing crowdfunded Nefertiti Overdrive: High Octane Action in Ancient Egypt. It has since been one of SEP’s most popular games. So much so, that we had an update in 2022. That’s only two years ago, but the 2022 update was a “soft” update—most of the text did not receive a revision or a review.
SEP is currently seeking to finance a real update of Nefertiti Overdrive, including having both a cultural consultant and an editor have a go at the text. Further refinement of the mechanics led to the decision to work on a further update, and the funds will also help to format a print version—which the soft update never had—including getting the text properly indexed.
If you have enjoyed Nefertiti Overdrive, I hope you’ll help us deliver Nefertiti Overdrive 2.0. Please consider supporting the Kickstarter or spreading the word about it.
You can find the Nefertiti Overdrive 2.0 Kickstarter at: https://www.kickstarter.com/projects/1153118353/nefertiti-overdrive-20
Here’s the Quickplay!
Pretty sure I made that joke last time I ran a Kickstarter for Nefertiti Overdrive. That was long ago enough to no longer count. But I am—once again—wading into the crowdfunding morass. Not thrilled with that, but I am thrilled with the opportunity to improve Nefertiti Overdrive.
And if you haven’t seen the game, the Quickplay is now available.
I’m back, and I’m bringing Nefertiti Overdrive with me!
Nefertiti Overdrive may be the game I’ve written that I hear about the most. It may be the concept—high octane action in Ancient Egypt. Maybe it’s the mechanics, heavily influenced by Cortex though not a Cortex game. Maybe it’s just the title. For whatever reason, people seem to remember Nefertiti Overdrive.
And I have a fondness for it to. It has generated some pretty amazing memories, with players really getting extravagant with the story-telling because they were not just given licence, but rewarded for doing so.
Why am I bringing up Nefertiti Overdrive? Because I am working on it again. I needed to do a print run, and in conversations with a very smart person, I decided I should crowdfund this and aim for offset printing and even a hardcover version.
If I’m going to crowdfund, I might as well take the chance to revisit the rules. My previous update did not fully satisfy me, and I had a lot of changes that I had noted needed to be made. Now I have a chance to make those changes. I’m in the process of doing that right now.
And since I’m crowdfunding, I can get some help improving the text. Maybe even get some more art—though I am hoping I can use the amazing art by Kieron O’Gormon from the original, which was really iconic.
However this happens and whatever form it takes, there’ll be a new Nefertiti Overdrive and there’ll be a Kickstarter to fund an offset print run.
You’ll see it here—or maybe on Bluesky—when this moves forward at all.
And if you have ideas for podcasts or anything like that you think I should get on, let me know and let them know too!
Anyone who has intersected with me or my work probably knows by now that I’m posting chapters from The Cyclops Banner: A Bloody Crown—a second-world fantasy inspired by the First Scots War of Independence. As I’ve posted chapters at Sword’s Edge, I’ve posted game stats for many of the chief characters.
Today, it’s Alec’s turn. Alec Ulvarsson is a lieutenant to the captain-general of the Unicorn Banner, a native of the kingdom of Kellalh, and a veteran mercenary soldier. He is one of the key point of view characters through the novel. He no longer sees himself as a mercenary, since mercenaries fight primarily for money. He says he’s a soldier and that he is now fighting for an ideal—a free Kellalh.
(more…)As mentioned earlier, I’m posting chapters from The Cyclops Banner: A Bloody Crown, a novel I wrote. It’s a second-world fantasy inspired by the First Scots War of Independence.
As I post chapters, I’m also going to post game stats for many of the chief characters here, on the Sword’s Edge Publishing website.
Rhona Argusdottir Trevean, after the death of her father, embodies the resistance for the kingdom of Kellalh, under occupation by neighbouring Surraev for going on 15 years. Her father, the Old Baron, was the last holdout in his isolated province of Selcost, and with him gone, she is his heir. Except traditionally in Kellalh, women can’t inherit.
(more…)In 2023, over on my personal site, I’m going to be posting chapters from The Cyclops Banner: A Bloody Crown, the novel I recently finished. It’s a second-world fantasy inspired by the First Scots War of Independence.
As I post chapters, I’m also going to post game stats for many of the chief characters here, on the Sword’s Edge Publishing website.
One of the first characters you are going to meet is Cristobel vel Lupus, Count Terenquist and Captain-General of the Free Company of the Unicorn Banner. He is a key protagonist whose presence has an outsized impact on events in the story.
(more…)I’m feeling better . . .
I am in the middle of playtesting a new game. For those who used to support my Patreon, it is based on the Quantum and GOD setting, but now called the Lost Earth. I don’t think it will ever see the light of day, simply because of the cost of bringing it out along with its setting, and the system is derived from its setting, so I don’t think I’d be happy releasing it separately.
I said the same thing about League of Misfits, so who knows.
Anyway, the playtest is not only helping me with the system, but also helping me with myself.
My formative RPG experience was D&D—AD&D, 2E, and 3/3.5. Until the early 2000s, I almost exclusively played D&D—a bit of Top Secret, some Gamma World, Some WEG Star Wars and a bit of Champions was the sum total of my RPG experience.
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As mentioned earlier, I was working on updating Nefertiti Overdrive, tweaking the rules, focusing the characters more on Egypt and Egypt’s environs, and adding historical context. I’ve removed Get Netiqret as its own thing. When I first wrote Nefertiti Overdrive, I was heavily inspired by the design of Lady Blackbird, but what I released was not nearly as elegant or purpose-driven, and so I think it makes more sense to have Get Netiqret out there on its own.
I also removed the quickstart and released its adventure separate—but still for free now called Proof of Death.
It’s all complete and out now at itch.io: Nefertiti Overdrive, Proof of Death, and Get Netiqret.
I feel better having got it all done. Research proceeds apace for Kiss My Axe 2E, and it is going to be a significant departure in character design if not in base mechanics from what exists now.
In a city of memories is a city of violence.
I’ve released another adventure for Sword Noir 2E. In it, the PCs go back to Everthorn and East Reach outside the walls to face a piece of their past.
Traditional wisdom says one cannot go back to one’s home, because one cannot travel in memory. To forget one’s past is to forget one’s self, but the past is always a trap for the present. Of course, you’ve never been one to let good advice ruin a bad plan. An old friend is in trouble, and no matter what trap the past has laid, you’ll help them if you can—and you are certain that you can.
Broken Tigers is a 45-page PDF adventure for Sword Noir: A Role-Playing Game of Hardboiled Sword & Sorcery (Second Edition) with 6 pre-generated characters for use by the players. While the adventure does not require the use of Sword Noir, the narrative characters and some situations are based on that system and would require modification to use with another.
You can purchase Broken Tigers at itch.io.