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Bored of Lands

While the movie Borderlands might have been a blight on the concept of civilization, the games are awesome. I’ve already kind of created my version of a Borderlands adventure, but what about something closer to the actual game and its actual plot? It’s relic-hunting in a post-apocalyptic dystopia. In this case, it’s getting a key and a map, setting you up for the further adventure

Story

What brought the team together. Who cares? The team is together and they are looking to get rich. On this POS planet, that means finding The Bunker—a warehouse of riches and armoury of the highest of tech weapons. This planet was the sight of a war, the scars of it are everywhere. It’s just that it happened before people came here, and the civilizations that were part of the conflict were also consumed by it. Is the legend real? Let’s hope, because that’s your chance to make it out of indentured servitude to BAC Corporation.

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Stray

I’ve been away, but now I’m back. More one-pagers on deck. This time, it’s a bit of a murder mystery. I usually do something like mystery box stories for my campaigns—there’s a question the PCs need to resolve, and it generally has many layers and red herrings. That’s not something you can really do in a one-pager as it tends to be too complex. It’s also very different from a murder mystery. In a murder mystery, you generally know the answer and work back from there to find out what kind of clues might be left. In a mystery box game, there often isn’t a single answer and the clues themselves are often doorways to greater mysteries. A lot of times, events or items in my games that aren’t intended to be mysteries become mysteries because of how the PCs interact with them, creating greater complexity—I’m also a fan of improv game mastering. Rather than increasing complexity, as the story moves forward in a murder mystery, complexity is reduced—the number of possible answers reduces to one.

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The Nuclear Option

As you maybe have noticed (or maybe not), I was recently thinking about Aliens. It remains one of my favourite movies, and another recent viewing has done nothing to shake my admiration and adoration. So one might expect that a one-pager based on Aliens would be a bug hunt—tragic or otherwise—similar to the situation on LV-426. The thing, is, I’ve already kind of done that in the Ideas and Hooks section in Starship Commandos. But I do like the idea of space marines (I mean . . . Starship Commandos), so I definitely want to do a seed based on that concept.

Instead of xenomorphs, this story is about the marines taking control of a vessel possibly smuggling nuclear weapons. The Marines can be part of any geopolitical structure that will fit in your campaign. For my campaign, I made them part of the United Systems Interstellar Command (USIC), leaving the exact nature of the United Systems undefined so that it could be expanded later if necessary with input from the players

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In Between Days

This one-pager is inspired by Mr. Inbetween, and that series has so many different jobs and scenarios that it’s tough to pick just one to act as inspiration for an adventure. However, there were many more interpersonal scenarios—especial in the personal parts of the main character’s life—than there were action scenes. If one is going to take inspiration from Mr. Inbetween, it is low-level criminality interlaced with understandable personal problems. This is difficult to replicate in most RPGs unless the adventure is part of a longer campaign in which the PC or PCs have invested in their character’s personal lives—likely including a partner and children. Lacking that, the scenarios from Mr. Inbetween are similar to many other criminal intellectual properties. I’ll take a stab at one leaving it to you—the person using it for inspiration—to figure out how to stick the landing.

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Falling From the 76

This has been a difficult one-pager to formulate as Fallout 76 lacks the very robust narratives that existed in the previous entries in the Fallout series. In the end, a key theme of all the Fallout games is building on top of the collapse—not just surviving but thriving. So, in this game, the PCs are going to do the same—reclaim the wasteland.

I am not blind to the use of this kind of narrative in the history of colonialism, but since this a game, we can set the parameters, and in our story, the wasteland is not a fiction but truly a place abandoned. But that pretty much necessarily means its dangerous, and that’s where the PCs come in.

Props to The Starlost for some key inspiration on this one.

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Resistance: EARTH

Resistance: EARTH is now available at itch and Drive Thru RPG.

Ten years ago, the world ended. Today you’ve been chosen to bring it back.

A resistance to the alien overlords who govern the Earth is forming. Small, ill-equipped, and de-centralized, it had been in hiding, staying out of the regime’s gaze. It needs capable leaders, people who have the skills and audacity to take the fight to the regime.

That’s why they’ve tipped their hand, revealing themselves to the regime.

That’s why they busted you out of prison.

On the run, out of options, and marked for death, your characters are part of the resistance seeking to topple the proxies of the aliens who now rule the planet. You have nothing but your wits and out-dated weaponry. You face a technologically advanced force that vastly outnumbers you.

The only way you will survive is if you adapt, resist, and finally overcome.

Welcome to Resistance: EARTH.

Resistance: EARTH is an adaptation of Modern and Fifth Edition, blending the robust customization and granular options of OGL and Fifth Edition with the character-centric, narrative-focused style of story games.

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Not The Time for THAT Kind of Direct Action

This being released concurrently with a post at my Patreon.

TL,DR: I support the protest of police violence against the Black community and demand police reform. Due to current circumstances, I am unwilling to release a game of military action, and will re-purpose it as a SF-action game of resistance against alien overlords in a near future Earth. 

If you disagree that systemic racism is an issue in the US, Canada, and pretty much around the globe, and that we—as the privileged—need to support the Black community, please don’t support me. You don’t want to give me your money as it will be going to support the Black community and police reform.

Okay, the details:

I hope everyone is well and safe. These are truly trying times, and while Canadian streets are not seeing the same kind of protest as many US streets are, we are not insensate to what is happening. Change must occur in Canada as much as the US—I honestly don’t know a country in which racial equality is not a problem.

And if you disagree with that, you would probably be happier not following me and not supporting my work, because I feel very strongly about this. I have been supporting food banks the last couple of months, but I will be supporting causes that have come to the fore in this crisis, causes that are supported by the Black community and especially Black creators and members of the tabletop RPG community.

Having said all that, the militarization revealed in the police force, the use of National Guard troops, and the threat of using US service personnel to police US streets has made me feel very queasy about working on and publishing a game about the military right now. Much like WARMONGER changed because of the COVID-19 virus, I feel Direct Action must change due to current circumstances.

The game will remain the same, I’ve been running two concurrent alpha playtests and the rules are getting close to a viable form. There are much less changes than initially planned, mostly because d20 and 5E were pretty solid platforms to begin with.

So, instead of Direct Action, I’ll be releasing Resistance: EARTH. Themes resonant with the current crisis is appreciated but unplanned. I had playtesters who were not at all interested in playtesting modern SOF, so Resistance: EARTH became a setting we could playtest the rules in.

Resistance: EARTH is kind of a post-apocalyptic action-adventure RPG. You play part of a resistance against alien overlords 10 years after an invasion. A primer is available at my Patreon which provides some insight into what I am proposing.

Thank you as always for your support. Please feel free to cancel that support. You won’t be missed.

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Skull Shot: A Sword’s Edge Adventure

They tried to kill your handler, someone you kind of thought of as maybe a friend. That wasn’t nice.

Then they tried to kill you. That was a mistake.

Now you are going to find them, you are going to mess them up, then you are going to figure out how to profit from it. Sometimes, just sometimes, profit doesn’t come first.

A science-fiction action adventure for Sword’s Edge, Skull Shot is the sequel to Face ‘Splosion.

Skull Shot is a possible project slated for a vote on my Patreon.

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Riggers: Meta-Humans in a Shattered World

It has been 70 years since the event. Earthquakes, volcanoes, and tsunamis ravaged the globe. Continents heaved and buckled for three decades, re-shaping the world. Civilization shattered. There is very little left of what had come before. But people survived. People rebuilt.

And people changed.

They are the Riggers. More than human, but treated as less than people. You have come into this world in Elisus, a growing metropolis and a place of hope. Maybe you don’t belong here. Maybe nobody does. All you know is that you are a Rigger and you are being hunted.

Riggers is a meta-human RPG set in a post-apocalyptic world. This is a story-focused game with simple mechanics and characters based on descriptive qualities. The game will include a basic setting, explaining the Shattered World, how it came to be, and what adventures might be found in it.

Riggers is a possible project slated for a vote on my Patreon.