House of the Eternal Road

I explained one-pagers briefly in my last one-pager post, and there is a kind of rough explanation in an older post at Sword’s Edge. A one-pager is a very basic adventure outline that is a useful reference for improvisational game management.

This one-pager is based on the movie Road House, which I reviewed at Sword’s Edge—although it’s also very Seven Samurai/The Magnificent Seven. It lacks any mechanics and so is system agnostic. Although I envision it as post-apocalyptic, it’d totally work for fantasy as well. Other genres might take some shoe-horning.

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Uprise: Bandits At War

One-pagers are a kind of adventure prep that I use which I outlined in an older post over at Sword’s Edge. Basically, because I am very comfortable with improv gaming, I usually work from a very basic adventure outline and do everything else on the fly.

Below is a one-pager based on the movie Uprising, which I reviewed at Sword’s Edge. There are no NPCs/challenges/obstacles statted out—no mechanical opponents presented—so you might need to cook some of those up if you use this. The ideas are there. Run with them.

Story

The PCs are bandits that have formed into an irregular force protecting the local communities from the depredations of the armies fighting the wars—whether those are the nominal “lords” of the land or the armies invading that territory. They haven’t been especially cruel to the villagers, but they are criminals, and their raids have likely created hardship for the local population. They will face both violent encounters with the contending armies, but also interpersonal challenges in finding peace and mutual support with the villages they are now protecting.

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Turning the Engine Over

Wow, quiet around here. I wonder why.

Oh. Right. Me.

Okay, so the key enterprise for SEP right now is finishing Nefertiti Overdrive to deliver to the backers. That is actually out of my hands as it is out for layout (with Todd Crapper of Broken Ruler Games).

The cover for the Found and the Lost which has a warrior in a snowy forest watching an eclipse

Part of the Nefertiti Overdrive Kickstarter was the updating of adventures, and I’ve finished both Proof of Death and Judged. I’m in the midst of updating Get Netiqret, and have at least three more: The Icon of Amun-Ra and The March Up Country will complete the story of the fall of the 25th Dynasty, and I’ll also be updating Daughter of the Sun, the adventure focused on Pharaoh Tutankhamun’s widow—the daughter of Nefertiti. Once all that is done, I’ll embark on a completely new adventure: In A Sea of Dunes. 

The other project is a system—tentatively titled The Found and the Lost—that has been alpha-playtested and seems fit for purpose. I’m not keen to Kickstart that, but I might do it with a low target as Kickstarter can provide a marketing advantage. I’m generally not bringing a lot of the audience for my crowd-funding campaigns. A lot of the backers come from the platform itself.

Deep in the backburner is version of Centurion that is devoid of the historical information and is just a presentation of the system; an update of Kiss My Ass; a complex system on which I have modules for fantasy, modern military action, and cyberpunk. I don’t know if any of those will ever see release.

This place is quiet, but that’s not because nothing is happening.

State of the SEP

It’s been quiet here—no surprise there—but I have been steadily moving forward on a collection of projects.

If you haven’t been tracking it, the Kickstarter for Nefertiti Overdrive 2.0 was successful. The text is written, but it’s now going through a cultural consultant, it then needs to go through an editor, get set for layout, and then have an index completed for it before it’s released. That’ll probably be the end of the summer or early fall 2024.

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Nefertiti Overdrive 2.0: It’s Happening

Back in 2015, Sword’s Edge Publishing crowdfunded Nefertiti Overdrive: High Octane Action in Ancient Egypt. It has since been one of SEP’s most popular games. So much so, that we had an update in 2022. That’s only two years ago, but the 2022 update was a “soft” update—most of the text did not receive a revision or a review.

SEP is currently seeking to finance a real update of Nefertiti Overdrive, including having both a cultural consultant and an editor have a go at the text. Further refinement of the mechanics led to the decision to work on a further update, and the funds will also help to format a print version—which the soft update never had—including getting the text properly indexed.

If you have enjoyed Nefertiti Overdrive, I hope you’ll help us deliver Nefertiti Overdrive 2.0. Please consider supporting the Kickstarter or spreading the word about it.

You can find the Nefertiti Overdrive 2.0 Kickstarter at: https://www.kickstarter.com/projects/1153118353/nefertiti-overdrive-20

Here’s the Quickplay!

Overdriving with Nefertiti

Nefertiti Overdrive Cover

I’m back, and I’m bringing Nefertiti Overdrive with me!

Nefertiti Overdrive may be the game I’ve written that I hear about the most. It may be the concept—high octane action in Ancient Egypt. Maybe it’s the mechanics, heavily influenced by Cortex though not a Cortex game. Maybe it’s just the title. For whatever reason, people seem to remember Nefertiti Overdrive.

And I have a fondness for it to. It has generated some pretty amazing memories, with players really getting extravagant with the story-telling because they were not just given licence, but rewarded for doing so.

Why am I bringing up Nefertiti Overdrive? Because I am working on it again. I needed to do a print run, and in conversations with a very smart person, I decided I should crowdfund this and aim for offset printing and even a hardcover version.

If I’m going to crowdfund, I might as well take the chance to revisit the rules. My previous update did not fully satisfy me, and I had a lot of changes that I had noted needed to be made. Now I have a chance to make those changes. I’m in the process of doing that right now.

And since I’m crowdfunding, I can get some help improving the text. Maybe even get some more art—though I am hoping I can use the amazing art by Kieron O’Gormon from the original, which was really iconic.

However this happens and whatever form it takes, there’ll be a new Nefertiti Overdrive and there’ll be a Kickstarter to fund an offset print run.

You’ll see it here—or maybe on Bluesky—when this moves forward at all.

And if you have ideas for podcasts or anything like that you think I should get on, let me know and let them know too!

The Bloody Crown: Alec Ulvarsson

Anyone who has intersected with me or my work probably knows by now that I’m posting chapters from The Cyclops Banner: A Bloody Crown—a second-world fantasy inspired by the First Scots War of Independence. As I’ve posted chapters at Sword’s Edge, I’ve posted game stats for many of the chief characters.

Today, it’s Alec’s turn. Alec Ulvarsson is a lieutenant to the captain-general of the Unicorn Banner, a native of the kingdom of Kellalh, and a veteran mercenary soldier. He is one of the key point of view characters through the novel. He no longer sees himself as a mercenary, since mercenaries fight primarily for money. He says he’s a soldier and that he is now fighting for an ideal—a free Kellalh.

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The Bloody Crown: Rhona Argusdottir

As mentioned earlier, I’m posting chapters from The Cyclops BannerA Bloody Crown, a novel I wrote. It’s a second-world fantasy inspired by the First Scots War of Independence.

As I post chapters, I’m also going to post game stats for many of the chief characters here, on the Sword’s Edge Publishing website.

Rhona Argusdottir Trevean, after the death of her father, embodies the resistance for the kingdom of Kellalh, under occupation by neighbouring Surraev for going on 15 years. Her father, the Old Baron, was the last holdout in his isolated province of Selcost, and with him gone, she is his heir. Except traditionally in Kellalh, women can’t inherit.

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Farewell OGL

Resistance Earth RPG cover. A lone figure faces a desolate landscape, their rifle on their back.

There’s been some . . . issues with Wizards of the Coast recent handling of the Open Game Licence, the licence that SEP published almost all of its first products–many of them under the d20 sub-licence. I still have a bunch of OGL products out there, some of them very recent, using newer rules’ sets.

But the recent attempt to pull the rug from under creators by WotC, probably to please their corporate masters at Hasbro, has soured me on the OGL entirely. I invested a lot of time into these products, and a bunch of them are not anywhere near paying that off, but I’d rather just be done with them and snip that cord. Get free of it.

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