Decision Point: 2025

The cover of the "TTRPG Nefertiti Overdrive 2.0" which shows the iconc characters in battle poses before the legendary Sphinx statue on the right, and a stylized rendering of Queen Nefertiti on the left, with a blood spatter along the base.

With Nefertiti Overdrive 2.0 finally complete—the last adventure went out to backers a couple of months back and is now available to the general public—I’m once again looking at my “Game Development” folder trying to decide what to prioritize.

The main effort is to Intervention: Tomorrow’s Yesterday, a cyberpunk TTRPG that is more robust, with a more structured framework than most of my story-forward games. The players still get a fair amount of narrative control, but the structure for characters is more set, with pre-defined Roles, Skills, and Gear. It’s somewhere between Fate and D&D 5E, and is the most structured game I’ve ever tried to publish. I’ve designed them or kit-bashed them, but never pushed this far along with playtesting and an intent to eventually publish it.

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The March Up Country

The final adventure in the Fall of the House of Kashta series—which is a fictional chronicle of the Assyrian invasion that capped off Ancient Egypt’s 25th Dynasty, as told from the POV of action heroes—is now available on itch.io.

Cover for the TTRPG adventure The March Up Country

Far from Kush, in the city of Abydos, enemies surround and hunt the Princess and the heroes of the Kushite Dynasty. They must cross Upper Egypt, a land the dynasty once ruled but is now the domain for the Assyrians and their local proxy, the Saite Dynast—the new pharaoh by right of conquest.

Using wits, iron, and the love the people still harbour, the heroes seek to return to their home in Kush, to join their king and their kin, and to foil the plans of their enemies.

A mere handful versus thousands.

No problem.

The March Up Country is one translation for Anabasis, Xenophon’s story of 10,000 Greek mercenaries trapped deep in Persia. This adventure echoes that theme. It is the latest in a collection of adventures for Neferiti Overdrive 2.0 set during the fall of the 25th Dynasty of Pharaonic Egypt which started in Proof of Death and continued in Judged, Get Netiqret, and the Icon of Amun-ra. While designed for Nefertiti Overdrive 2.0, this adventure can be used with the first edition.

Two more adventures are in the pipeline. The first will be Daughter of the Sun, an update of the post-King Tut adventure that focused on the fate of his wide/half-sister. After that will come In A Sea Of Dunes, which pits a group of veterans against the authorities as one of their own because the target of a greedy governor.

As with all SEP games, this system requires cooperation at the table and a shared goal of telling a great story. It is the premise of SEP systems that the game experience should be fun for everyone and no player should be made uncomfortable unless that is a part of the experience of which they were informed and to which they agree. Shared respect and consideration among all participants are key to achieving a satisfying and enjoyable game for everyone at the table. If you disagree, this system and SEP games more widely are not going to meet your expectations or complement your play style.

State of the SEP

It’s been quiet here—no surprise there—but I have been steadily moving forward on a collection of projects.

If you haven’t been tracking it, the Kickstarter for Nefertiti Overdrive 2.0 was successful. The text is written, but it’s now going through a cultural consultant, it then needs to go through an editor, get set for layout, and then have an index completed for it before it’s released. That’ll probably be the end of the summer or early fall 2024.

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Nefertiti Overdrive 2.0: It’s Happening

Back in 2015, Sword’s Edge Publishing crowdfunded Nefertiti Overdrive: High Octane Action in Ancient Egypt. It has since been one of SEP’s most popular games. So much so, that we had an update in 2022. That’s only two years ago, but the 2022 update was a “soft” update—most of the text did not receive a revision or a review.

SEP is currently seeking to finance a real update of Nefertiti Overdrive, including having both a cultural consultant and an editor have a go at the text. Further refinement of the mechanics led to the decision to work on a further update, and the funds will also help to format a print version—which the soft update never had—including getting the text properly indexed.

If you have enjoyed Nefertiti Overdrive, I hope you’ll help us deliver Nefertiti Overdrive 2.0. Please consider supporting the Kickstarter or spreading the word about it.

You can find the Nefertiti Overdrive 2.0 Kickstarter at: https://www.kickstarter.com/projects/1153118353/nefertiti-overdrive-20

Here’s the Quickplay!

Overdriving with Nefertiti

Nefertiti Overdrive Cover

I’m back, and I’m bringing Nefertiti Overdrive with me!

Nefertiti Overdrive may be the game I’ve written that I hear about the most. It may be the concept—high octane action in Ancient Egypt. Maybe it’s the mechanics, heavily influenced by Cortex though not a Cortex game. Maybe it’s just the title. For whatever reason, people seem to remember Nefertiti Overdrive.

And I have a fondness for it to. It has generated some pretty amazing memories, with players really getting extravagant with the story-telling because they were not just given licence, but rewarded for doing so.

Why am I bringing up Nefertiti Overdrive? Because I am working on it again. I needed to do a print run, and in conversations with a very smart person, I decided I should crowdfund this and aim for offset printing and even a hardcover version.

If I’m going to crowdfund, I might as well take the chance to revisit the rules. My previous update did not fully satisfy me, and I had a lot of changes that I had noted needed to be made. Now I have a chance to make those changes. I’m in the process of doing that right now.

And since I’m crowdfunding, I can get some help improving the text. Maybe even get some more art—though I am hoping I can use the amazing art by Kieron O’Gormon from the original, which was really iconic.

However this happens and whatever form it takes, there’ll be a new Nefertiti Overdrive and there’ll be a Kickstarter to fund an offset print run.

You’ll see it here—or maybe on Bluesky—when this moves forward at all.

And if you have ideas for podcasts or anything like that you think I should get on, let me know and let them know too!

One Down But Work Continues

With Nefertiti Overdrive 2E out in the wild, my trifecta is down to a duology, and work is proceeding apace on both.

One note here is on print editions. The main cost for print editions—along with my time—is indexing. It is precise, painstaking work for which I am poorly engineered. If I would like someone else to do it, it comes at a cost—and SEP will only just start turning a profit this month. So, while print editions for Nefertiti Overdrive 2E and later Kiss My Axe may happen, they will be slow in coming.

Kiss My Axe is in the research phase, but this is also leading to some design decisions and evident changes in the mechanics and focus.

Image by Dmitriy Tereshchenko
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Nefertiti Overdrive 2E

Cover of Get Netiqret

As mentioned earlier, I was working on updating Nefertiti Overdrive, tweaking the rules, focusing the characters more on Egypt and Egypt’s environs, and adding historical context. I’ve removed Get Netiqret as its own thing. When I first wrote Nefertiti Overdrive, I was heavily inspired by the design of Lady Blackbird, but what I released was not nearly as elegant or purpose-driven, and so I think it makes more sense to have Get Netiqret out there on its own.

I also removed the quickstart and released its adventure separate—but still for free now called Proof of Death.

It’s all complete and out now at itch.io: Nefertiti Overdrive, Proof of Death, and Get Netiqret.

I feel better having got it all done. Research proceeds apace for Kiss My Axe 2E, and it is going to be a significant departure in character design if not in base mechanics from what exists now.

Trifecta?

Nefertiti Overdrive Cover

It’s been a while since I’ve had any news, any information on new products, and that will likely continue for a while, but I don’t feel right if I’m not working on something, and I’m a little too old to change that.

I have three projects at various stages that I’m working on, two of which will likely see a release.

1) Nefertiti Overdrive 2E: I’m updating Nefertiti Overdrive, both changing the structure of the book, and altering the mechanics. I’m removing the adventure and having the book focused on the game itself. The adventure that was included in the 1E book—Get Netiqret–will be released separately but at the same time as 2E.

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RPG Research: Sea Raiders Vs. Ugarit

Okay, so my most recent #RPGResearch post goes a little something like this:

In The Philistines and Aegean Migration at the End of the Late Bronze Age, Assaf Yasur-Landau references one of the most common primary sources on the Sea Peoples: letters using the medium of clay tablets that warn of raiding parties (p. 164). In one, the chief prefect warns the king of 20 enemy ships, while in another, the King of Ugarit relates to the King of Alashiya of sighting of seven ships and asks if that king has sighted other vessels.

In general, those ships are often said to likely be Sea Peoples, though there is no definitive proof. Piracy was not an uncommon profession, and a fleet of seven ships seems in line with what Homer has Odysseus speak of in the Odyssey, when Odysseus tells of fitting out nine ships for a raid (14.248).

If you are interested in the likely linkages of the Myceneans and piracy, have a look at Jeffrey P. Emanuel’s chapter “Odysseus’ Boat? New Mycenaean Evidence from the Egyptian New Kingdom” in Discovery of the Classical World: An Interdisciplinary Workshop on Ancient Societies.

If nine is the size of the fleet raised by what Homer would have us call a king, twenty does seem a significant threat if you are the lords of Ugarit. But how much of a threat?

Lionel Casson in his book The Ancient Mariners: Seafarers and Sea Fighters of the Mediterranean in Ancient Times, assesses that at the time of the Trojan War—the Late Bronze Age—ships would have 20-100 oars, with 50 being normal (pp. 38-39). Each of those oars would be manned by an individual who was also a warrior—basically your entire crew were marines. That would mean that seven ships could have 700 soldiers, but would more likely have 350, as the fleet would probably be made up of vessels of varying sizes. That major fleet that worried the chief prefect of Ugarit could have 2,000 troops, but even 1,000 is substantial given that the population of Ugarit has been extrapolated to be between 3,000 and almost 14,000 (see W. Randall Garr’s “A Population Estimate of Ancient Ugarit” in Bulletin of the American Schools of Oriental Research issue 266 from 1987).

And if Helen did have the face that launches a thousand ships? An army of 50,000 would indeed be terrifying—if utterly fanciful for the period.